Wednesday, January 11, 2017
I ended 2016 listening to George Michael non-stop, and now I've begun 2017 binge-listening to David Bowie.
Exactly one year ago today, I got off a flight from Bangkok to learn that he had passed away at age 69 from liver cancer. (In Australian time, it was Monday, January 11, but still January 10 in New York City, where he died.) On January 8, he would have been 70. I thought about it numerous times before he left us, and I could never imagine Bowie being 70.
Although I got to interview him twice, I always felt a little cheated when it came to David Bowie. He once told me that up until before the first Tin Machine album, all of the albums he made in the '80s, he made for money, not art. For those of you not doing the math, that would be 1980's Scary Monsters (and Super Creeps) to 1987's Never Let Me Down.
Well, it just happens that I'm a child of the '80s, and the music that Bowie made in the '80s was the music that made me a lifelong fan. It wasn't until "Under Pressure" (the first Bowie song I can remember hearing and knowing who was singing it) hooked me in 1981 and I went back and checked out his earlier stuff that I discovered the brilliance that is "The Man Who Sold the World," "The Jean Genie" and "Sound and Vision" (my all-time favorite Bowie song).
But even after I discovered vintage Bowie, and even after his '90s creative renaissance, his '80s music still held up. It's all over my Spotify Bowie playlist, and I think it fits in quite nicely, thank you.
I like to think that as Bowie lay dying, as he made peace with God and made peace with his life, he also made piece with "Blue Jean." Ridiculous video attire aside, it really is a brilliant song.
Monday, January 9, 2017
1. "Hangin' Tough" by New Kids on the Block sounds a lot better now than it did in 1988, when, if my memory serves me correctly, I kind of hated it. How did that happen?
2. LeVert's "Casanova" has aged incredibly well. It's a shame that after it went Top 5 in 1987, white people pretty much lost interest in LeVert.
3. No shade to "Oh Girl" and "Have You Seen Her," but The Chi-Lites are best known for the wrong songs.
4. Since we're on the subject of artists who are best known for the wrongs songs, so are The Moments and The Delfonics.
5. I can listen to The Spinners' "Working My Way Back to You/Forgive Me Girl" medley on repeat all day long and still not be tired of it.
6. It pains me to write this, since I'm so respectful of the late Curtis Mayfield's talent, but I prefer Brian Hyland's 1970 cover of "Gypsy Woman" to The Impressions' 1961 original. Both versions are killer, though.
7. Why can't I remember any country male vocal groups besides The Statler Brothers and The Oak Ridge Boys? Alabama doesn't count because they played instruments.
8. The '80s weren't so kind to R&B male vocal groups hoping to cross over to the pop (i.e., white) charts. New jack-era boy bands like Guy, Troop and Today struggled on Billboard's Hot 100 while racking up hits with relative ease on the R&B singles chart. If it had been released in the mid-'90s, Guy's "I Like" probably would have been a no-brainer Hot 100 topper.
9. The Temptations during their late-'60s/early '70s psychedelic soul era were so much more interesting than The Temptations during their "My Girl" traditional Motown soul phase.
10. It may sound dated as hell in 2017, but Another Bad Creation's Coolin' at the Playground Ya Know! (featuring "Playground") is crazy-good early '90s new jack swing.
Editor's note: I define a "boy band" as an act featuring no women and at least three male singing vocalists whose primary instruments are their voices. That makes acts like The Four Seasons, Bee Gees, The Osmonds and The Jackson 5, traditional "bands" whose members played instruments, ineligible.